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So you want to be an actor. Or maybe a producer. What about an editor? Here's what you need to know.
So you want to be in show business. Maybe you’ve been working in a field that isn’t exciting enough or doesn’t use enough of your creativity. Or you’re just starting out and know that a regular desk job isn’t for you. Plus, you go to the movies and watch TV shows. How hard can it be to make one of those?
The bad news is that breaking into the film and television industries can be daunting and frustrating. The good news is that with hard work, a clear vision of your goals and a few tips on how to start, it’s possible to get a foothold in an extremely creative and fulfilling career. It happens every day to people who are willing to put in the time. Since it’s not all glamour and high pay, the most important qualification is a love of the work.
Breaking into the entertainment business takes time and dedication. If you think you can step off the plane at LAX and immediately be an independent movie producer or write your own hit TV show, you’re in for an unpleasant surprise. Every single person who arrives on a movie or TV set at 4 or 5 a.m. for 16 hours of hard, unglamorous work has spent considerable time honing their craft and then worked even harder at positioning themselves so they can get hired. From the hair and makeup artists to the art director to the production assistants, everyone has put in their time. Those “overnight successes” you’ve heard about are most often the result of years of struggle and hard work.
Here are some key things you should know about breaking into the film and television industries.
There are so many areas of the movie and TV business that there is almost something for everyone. Cinematographers work on set all day surrounded by hundreds of people, while editors work primarily alone in a dark room long after the production has wrapped. From pre- to post-production, there is a job to fit almost every personality and skill set. Know what you’re good at and where you fit in. If you’ve studied art, then you might consider production design. If you’ve spent hours splicing together your own videos on your home computer, then go for editing. But in the beginning, you should get whatever you can.
Be aware that while a few positions in the industry are incredibly lucrative, many more are less so. Writers, actors and directors are sometimes paid obscene amounts of money while grips, editors and the many people who fill out the various departments on a film or TV series, such as costume, props, art, photography, etc., are paid much more modestly and work very hard. Hours on the set are long and grueling. People do the work because they love it and can’t imagine doing anything else. [Read related article: The 5 Types of Employee Compensation]
This business is truly all about who you know. Most industry jobs are freelance, therefore, the most critical aspect of getting a job, be it your first or your hundred and first, is who you know. Plan to regularly attend industry events, cocktail parties and premieres to meet as many people as possible. And, like with job searching in other industries, you may want to get online. Consider using social media for personal branding and, if you have your own entertainment startup, creating a business profile on LinkedIn.
Your ego is not your friend. While it is certainly advisable to get as much training as you can before you go looking for work, the best way to learn is on the job. In the beginning, get any entertainment job you can. ANY JOB. It will be lousy pay and long hours, but this is how you start learning and meeting people. A great example: A famous movie producer started out as a production assistant on horror movies. He spent his time on the set working hard and asking smart questions. He then produced his first low-budget horror movie and promptly got a job on another movie as a dolly grip for pennies a day. He didn’t turn down the job because it was beneath him. He took whatever jobs he could find and it eventually paid off.
Not everyone gets their big break. But a career in the film and television industries is possible without ever making it to the A-list. To get started, follow these steps.
Find out what types of jobs exist in the industry and which ones you’re best suited for. If you don’t live in Los Angeles, New York, Vancouver or Toronto, get a sense of what kind of industry exists in your area. If there is none, consider relocating. While there is a growing number of cities where movies and TV production are taking place, the movie industry will not come to you. Write a strong résumé that promotes your strengths without being unrealistic. There are many crossover skills from other fields, so be honest about your past experience.
Production assistants are not paid much, but it’s a great way to learn many aspects of how a production works. You might be asked to run from props to hair to editing to an actor’s trailer all within a day’s work, so it’s a golden opportunity to meet a lot of people and get a sense of what their jobs entail. If you have a more specific department in mind that you’d like to work for, go ahead and knock on the door, but be prepared to be turned away until you’ve had some on-set experience.
Once on the job, be as helpful and enthusiastic as possible. And above all, be prepared. Know who’s who and if you don’t know, find out. Have business cards ready. Get contact information and keep it organized. If you hit it off with someone in a particular department that interests you, make sure to let them know you’re interested in working with them in the future.
When someone, anyone, offers to put you in touch with a producer or department head, absolutely follow up with a polite and brief phone call and make sure to use the name of the mutual contact (as long as that person has agreed). You may expect an assistant to answer the phone, but it could be the bigwig themselves. Don’t be flustered, and do not take up too much of their time. Be polite and friendly, express gratitude for the chance to connect and let them get back to their busy day.
No matter how many obstacles you face or how fast you start to soar, there are principles that are key to making your entry into these industries last.
Anyone hoping to break into the film and television networks needs to know what the top film studios and television networks are. You’ll likely have to start somewhere much smaller and independent, and the advent of streaming is upending everything, but having a basic knowledge of these companies won’t hurt.